It lets you constrain the sample duration by a selectable rhythmic value. When Stretch is on, you can also access a setting called Length. Choosing ZTX Formant‑Corrected makes the pitch transpositions more seamless, especially for vocal tracks, avoiding the dreaded ‘Mickey Mouse’ and ‘Monster’ effects.
Once you turn on Stretch, you can choose which ZTX algorithm to use.Either will even out the length of the sample at any MIDI note. One is to choose one of two ZTX Stretch Modes: Standard or Formant‑Corrected. When you click on the Stretch button, you get a couple of additional options. Unlike in the previous Nanosampler, where every time you transposed a note up, it played faster, and down it played slower, Stretch makes them all play at the same length. It allows you to control the length of samples as they play back, keeping them sounding natural when transposed from their original pitch. One, called Stretch, uses ZTX time‑stretching algorithms and is available in all three playback modes. To fully understand the capabilities of the new playback modes, it’s helpful to first look at a couple of powerful new features in Nanosampler 2. If you click on the Settings Tab, Nanosampler switches to an alternate screen that features graphic editors for all the synth parameters.Ĭlicking on the Settings tab brings up this graphic editing screen for the synth parameters. The available parameters for those remain essentially the same as before, albeit with a different layout. The bottom row contains the synth settings: the amplitude envelope, filter, filter envelope and LFO.
MOTU also replaced the knobs for Sample Start and End, Loop Start and End and Fade with sliders directly above the waveform display, making those controls more visually connected. Its design and colour scheme are darker and more contemporary. It’s long and rectangular rather than square, which allows for a much larger waveform display. When you first open Nanosampler 2, you can tell from its GUI that it’s significantly different from its predecessor. The new version also integrates DP’s powerful ZTX time‑stretching and pitch‑shifting technology, giving you more control over how the samples play back. While the original Nanosampler had one playback mode, now there are three, including one that slices up your sample. With its significant overhaul, the new Nanosampler 2 offers a wealth of creative sample playback options.Īmong the many new features MOTU unveiled in DP11 is Nanosampler 2.0, a significant overhaul of its bundled sample‑playback instrument. Nanosampler 2 adds features like sample slicing and integrated ZTX time‑ and pitch‑shifting.
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